People familiar with Mick Harris' experimental work with
Scorn, Trace Decay or Quiot should quickly
place this album in their collection. This collaboration with
Neil Harvey can best be described as Zander (the Scorn
album, not the character from Buffy the Vampire Slayer) meets
Roni Size's drum machine. High tempo drum beats mixed
with synthesized bass and Lull-like soundscapes populate this
If you are a fan of the genre populated by Mick Harris side
projects, Bill Laswell's immense catalogue of work, and the
small host of other experimentalists, this album is for you.
It's a good listen with a wide range of sounds, so that not
every song sounds the same. If you like your music a little
more organic and with vocals, this might not be to your liking.